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Showing posts from January, 2010

Tomomi Nishimoto conducting "Aida" (Statní Opera Praha tour in Japan)

October 28, 2009
Tokyo Bunka Kaikan

Conductor: Tomomi Nishimoto

Almost casts were changed from the performance in Praha ( I think casts in Japan performance were much better than those in Praha performance.
Especially, "Amneris" was best. I felt "Amneris" is the lead role of this opera, not "Aida". Also, I felt her voice is alike the one of Ms. Barbara Frittoli, though "Amneris" is mezzo-soprano. I like the voice of "Radames", too.

Also, the orchestra and the choir were more shaped up and impressive than those in Praha. The orchestra of this day was natural, well-harmonized with singers, and led the whole opera.

All music in this opera are really fantastic, and I think this performance was excellent. My mother said that "Maestro Tomomi's conducting is very precise, dynamic, and she…

Tomomi Nishimoto; Mahler Symphony No.5 with Royal Philharmonic Orchestra ("C" Program)

September 22, 2009
Suntory Hall

Conductor: Tomomi Nishimoto
Royal Philharmonic Orchestra
Piano: Freddy Kempf

Mozart: The Abduction from the Seraglio (Die Entfuhrung aus dem Serail) Overture
Mozart: Piano Concerto No.20 K.466
(Piano Encore) Chopin: Nocturne No.27-2
Beethoven: Seventh Symphony

(*At first, the maestro Tomomi's official blog has been opened on 31st December, 2009. It has automatic translation services at the bottom. I think it is helpful for you.)

This concert was matinee, and I felt the atomosphere was more friendly and sociable than the previous night (

Maestro Tomomi and Royal Philharmonic Orchestra had performed for consecutive three days, but they showed no fatigue for us.

Mozart: Piano Concerto No.20 K.466 performed by Mr Freddy Kempf was much better …